Sunday, June 5, 2016

HATS AND POLITICS























The news from Valerie:
The folks who live in my building had a meeting not too long ago. They said it was to discuss current issues, but to me there is only one: we have been deprived of access to our roof for a decade now, and we want it back.  Every year we discuss it, and every year we get evasive answers, as if we were reporters at the White House.  We might hear something along the lines of "we're about to get to that", or "that's currently under discussion", or "we'll have to get back to you on that".  If we persist, we'll get the equivalent of "asked and answered", or "can we please move along - there are many other issues we have to discuss."  And that will be the end of it.























At meetings like these, it is difficult to ask more than one or two questions on a single subject, but silence could be interpreted as tacit consent to the status quo.   What's a girl to do?  In my building I'm well known for my hats, and decided to let a hat speak for me.  Half an hour before the meeting, I cut up a piece of black oak tag and got out a white pencil.  I made a small sign with a single word on it (see above) to put on a hat.  Imagining where I would sit, I decided it was not enough to have a word only in the front where the speakers would see it.  I had to put the same word on the back, where my fellow residents would see it.  Since the pencil smeared easily, I used narrow white editing tape for the back side.  In the amount of time left before the meeting, there was only one hat I could easily put the sign on: a small velveteen hat with an open top (Jean and I refer to it as the volcano hat).

The last time I wore it was in 2011, when I still had long hair.  (Dyed in the wool readers might remember this photo.  The volcano hat had the perfect opening for a pony tail.)






















It was really hard to get a single hat pin to hold the sign the way I wanted, so the sign was a bit angled, but as long as it was legible it served its purpose.  With the hat, I wore a black jacket and pants so nothing would distract from the message.  I arrived at the meeting early enough to sit front row center, which helped my message reach everyone in our small room.  My neighbors all associate me with millinery, and the hat got lots of laughs.  That's fine - it got people talking, and focused on the issue, so it was an effective tool.  During the meeting, I asked one or two questions on the topic, but the bulk of the questions were asked by the other residents.  I don't know what will ultimately happen, but I'm convinced the reason we had a thorough discussion about the roof (possibly twenty minutes long) was that the hat encouraged a number of people to speak out and not feel they were alone in their concern.

I'd love to say I'm the first person ever to use a hat to political ends, but all of you know that's not true.  For the fun of it, I've come up with several examples of political headgear.























Some of you will argue that this is not a hat, it's a hair style.  Technically, you're right, but in this case it's a very fine line - a mere hair's breadth - between one and the other.  This hairstyle, apparently first worn by Marie Antoinette, was called coiffure a la Belle Poule (also called pouf a la Belle Poule, which seems far more descriptive).  It commemorates a 1778 naval battle in which France's ship, La Belle Poule, routed England's ship, the Arethusa, giving rise to a declaration of war several weeks later (and leading to the alignment of the French with the United States in its struggle against English colonization).   A celebration of the victory was definitely in order, and this was one way women could express themselves.  (For more extraordinary renditions of hair styles of the French aristocracy during the period, click here.)
















Shortly thereafter, the Phrygian cap, or bonnet rouge, became a simple statement against the outrageous hair styles and headgear of the aristocracy and religious leaders, and then a symbol of the French revolution.  The red cap atop the tree in the drawing above echoes the cap and spear that symbolized freedom from the tyranny of the French monarchy.  (See the man at left, who has both cap and spear.)  Before the French, the Swedish suffered from a similar imbalance of power.  They formed political parties called The Hats (for the wealthy) and The Caps (for the commoners).  (No great illustrations, but you can read about them here.)














This well known painting by David depicts Napoleon's coronation as Emperor of France in 1803.  In a highly symbolic gesture, Napoleon took the crown from the hands of the Pope and placed it on his head himself, implying that the Catholic Church had no authority over the French government.















In a very canny political move, English women campaigning for suffrage wore "willfully conventional dress", some spending more than their budgets allowed, so as to campaign in public without attracting criticism and doing "harm to the cause".  For more on the use of fashion as a political tool in the fight for women's suffrage, click here.























This immediately identifiable hat was used to recruit soldiers for World Wars I and II.























For two years, early in India's movement for independence from Great Britain, Gandhi wore this cap, which was widely adopted by the movement's members.  Nehru is more closely associated with the hat, which he wore much of his life.

World War II had a fascinating effect on Paris hats, which were among the few articles of clothing that were not rationed.  Nevertheless, material was hard to come by.  Necessity became the mother of invention, but in a city centered on fashion, invention combined with expertise to make ingenious and beautiful hats out of next to nothing.























These French wartime turbans, from the collection of the Kyoto Costume Institute, demonstrate what French women were able to do with the materials available to them.  As April Calahan points out in her wonderful podcast, it was difficult to get enough ration cards to buy shoes or dress material, but a woman could stand out with a hat.  Resourceful women took apart damaged clothes and recycled the materials.  These turbans might have been made from fragments.  Many of the outlandish designs of the period, says Calahan, were structured on a cardboard base. The height, shape and color of the hats distracted the eye from looking at the rest of the outfit.  (Doesn't this make you want to find out if Carmen Miranda's amazing turbans had their origins in the deprivations talented French women suffered during the war?)























Calahan's podcast also mentions this semi-subversive hat.  Before the German occupation, Parisians enjoyed listening to Le Poste Parisien, a progressive radio station.  During the occupation, the Germans took Le Poste Parisien off the air, and replaced it with programs more favorable to them.  This hat imitates a radio dial of the time, and the needle in the center points to Le Poste Parisien.

















While French women wore hats demonstrating their resistance to the government, in the United States, hats that aligned with the government became very popular.  With its streamlined sides, center crease and forward leaning peak at the front, this hat is based on the garrison cap worn by the U.S. military, but has enough differences, including the feathers, tapered back and rounded sides, to make it a feminine and patriotic fashion statement.















This is probably the way most of us imagine political hats - fake straw boaters supporting a political candidate.  That's John Kennedy reaching out near the center, and his face atop all the white hats.  For a look at some modern day amusing and creative variations on the theme, click here.



















Most people would probably have difficulty recognizing Che Guevara, or associating him with social revolution, without his iconic beret.



















New York City's Guardian Angels, best known during the 1970s, when the City's subways suffered from high crime rates, were recognizable by their red berets.























Congresswoman Bella Abzug is said to have started wearing hats to prevent male colleagues from electing her to serve refreshments at work.























Have you noticed that all the women of the House of Windsor wear hats?  Have you noticed that those who marry into the House of Windsor never wore hats until they were engaged to Windsor men?  Have you noticed that Windsor men almost never wear hats, except for formal occasions?  There's a political message in there somewhere...  Not that we mind, being hat lovers and all.  And some of the Windsor ladies really do it quite well.  But it does seem a little lopsided, gender-wise.



















Wear a hat.  Speak your mind.

Tuesday, May 31, 2016

A Current Affair: Vintage Show in Industry City, Brooklyn



































"A Current Affair" is an amalgamation of 80 West Coast and East Coast vintage vendors which returned to Industry City in Brooklyn, NY on May 21 and 22, 2016. Since Valerie was otherwise engaged for the entire weekend writing an esoteric article for an esoteric magazine, Jean was left to her own devices for the weekend. Needless to say, she had lots to look at and to tempt her, so she went to the show on both days. To help you keep things straight, she wore the red African pirnt Amy Downs turban (above) on Saturday and a black Henrik Vibskov bowler on Sunday. Housing Works had strategically placed furniture for sale in curated seating arrangements scattered throughout the space, of which this beautifully shaped art deco chair is a prime example.

This wonderfully shaped yellow hat was in New York vendor Joe Sundlie's Vintedge booth.





















New/Found's booth contained this outrageous pair of green suede and gold leather platform lace-ups.



















Thriftwares' beach umbrella patterned skirt was eye-catching.






















How glam is this red vintage number from Guermantes?


































New Yorker Andrea Levy never fails to please. This wire and glass necklace and bracelet set by Issey Miyake in her Lofty Vintage was Jean's favorite item in the entire show.






















Screaming Mimi's is an institution in the East Village. This beaded camisole top was outstanding.






















The print on Portia and Manny's long stretch knit dress by Cheryl was intriguing.



































Here's a closeup of the figures on the fabric.






















Liz herself modeled this Plantation by Issey Miyake coat with an interesting neckline in The Goods by Liz Baca booth.


































At the other end of the Issey Miyake spectrum is Morphew Concept's sleeveless yellow and green midi-dress with Miyake's signature pleating.


































A 1940s ivory and maroon cotton day dress with matching tie belt in Dallas vendor Woodland Farms' booth was extremely well-priced at $145.


































Sharing the same space was another Dallas company -- The Lush Life -- which had vintage dice earrings and 2 large square dice cuffs, one in white and one in black. If the bracelets hadn't been made for a small-wristed person, Jean would have scooped them up in a heart beat. (Waaah.)















A special shout out to Algy_b, whom we first met at a Pier Show a few years ago and run into quite often at these events!  She is now designing her own line of jewelry. Her tree of life pin was in Nomad Vintage's booth.


































Scout from Los Angeles is one of Jean's favorites and she loved this classic Hiro and Malee coat from I. Magnin. Here is the front view.


































And here is what it looks like from the back.


































Jane Yoo's hand-painted bag from Vintage Martini was beautiful and functional.


































New York's andARCHIVE had this gauzy Comme des Garcons jacket with a woven inset back treatment.


































Vintage Le Monde had his wrap coat with a whimsical print.


































Here is a close-up of the print.















Vintage Nomad's mannequin had a gauzy pleated embroidered ivory dress, green cape and green bird necklace.



































PEOPLE:

Jean often stops by Joe Sundlie's intriguing shop called Vintedge in the Showplace Antique Center at 40 West 25th Street in NY.


































Jean ran into Heidi Rosenau, whom we often feature because no one wears vintage better than she.


































Check out this stylish trio enjoying the show.






















Lana Turner showed up, looking smashing, as usual.



































The ever-dapper Daniel doffed his tuxedo to try on a vintage suit that fit him quite well.


































Vintage vendors Amanda Dolan and Megan Colby of Spark Pretty took the proverbial "busman's holiday" and came to the show.


































On Sunday, Jean ran into Zondra Foxx who didn't let a little thing like a recent fall and dislocated shoulder prevent her from checking out the show.



































Liz Baca and Mike and Boo Boo and friends posed for the camera.





















Perhaps the best dressed vendor award goes to these two gents from James Veloria.  (That's James on the left.)


































"Talk to the hand."  Jean ran into Tziporah Salamon on Saturday -- and again the next day.  She was having a blast.

A Current Affair will be in Los Angeles on September 24th and 25th. If you're in LA, go to the show!




Sunday, May 22, 2016

Jean's Excellent Spanish Adventure

Last week at this time, Jean was hanging out with friends in Barcelona, Spain, after the Formula 1 Grand Prix race.  (More about the race itself in a future posting.)  Here is her story:

Here I am on the roof of Gaudi's Casa Mila listening to the audio-guide and contemplating my next move.  The weather was spectacular: upper 60s during the day and mid- to upper 50s at night, with a mild breeze and low humidity.


































Barcelona is in the Catalan region of Spain. Architect Antoni Gaudi's works dominate the city's psyche and its skyline.  I met 3 friends from California for sightseeing and to see the Formula-1 Grand Prix race on May 15th. We stayed at a wonderful 4-star Hotel Murmuri (aka "Whisper") in a beautifully appointed two-bedroom apartment on a side street around the corner from the main hotel with living room, dinning area, outdoor terrace, full kitchen, washer and dryer and dishwasher.

Antoni Gaudi i Cornet was a Spanish Catalan architect from Reus and the best known practitioner of Catalan Modernism. Gaudi's works reflect an individualized and distinctive style. Most are located in Barcelona, including his magnum opus, the Sagrada Familia.

Influenced by architecture, nature and religion, Gaudi integrated crafts into his designs such as ceramics, stained glass, wrought ironwork forging, carpentry and plasterwork. One of the most iconic Gaudi buildings is Casa Mila at 92 Passeig de Gracia. Although revered today, Gaudi's work was very controversial at the time.





















Nicknamed "La Pedrera" or "The Stone Quarry", Casa Mila is an apartment building commissioned by Pere Mila and Roser Segimon. As I toured it, my thought was "This man does not a straight line like."  Everything is curved.  Metalwork surrounds the balconies and the roof features stone and ceramic tile covered towers. His new techniques for treatment of materials included trencadis which used waste ceramic materials. Constructed from 1906 to 1912, the building still houses private apartments.  The museum lobby on the first floor, the rooftop and the Mila family's apartment are open to the public.  This model shows the rooftop towers.






















A curved ceramic tile covered tower is in the background, while the towers in the foreground (some of which conceal stove pipes) have been described as topped by warriors' helmets or ladies' veils.





















Many of the details in the family apartment like bed frames and furniture are also curved, echoing an art nouveau look.  This curved tea set caught my eye.




















Check out the curved plasterwork framing the door and the window and note the pocket doors. The woodwork in the flooring and the gramophone add warmth to the surroundings.






















Next stop?  We went to see Gaudi's still-incomplete basilica, Sagrada Familia, which is the most visited monument in Spain. Influenced by neo-Gothic and Oriental styles, Gaudi became part of the Modernista movement which peaked in the late 19th and early 20th centuries.  He and his work eventually transcended mainstream Modernisme, creating an individualized and unique organic style influenced by nature.

Estimates are that construction will continue through 2026.  [Valerie interjects: I was there in 1991, and it was replete with cranes even then, so that gives you some idea of the magnitude - or the endlessness - of this undertaking.]  Although numerous parts of the exterior and interior are construction sites, crowds of visitors swarm the exterior and interior.  Advice to travelers: If you are planning to visit Barcelona, book your tickets in advance online.


































The interior of the basilica is illuminated by vibrant stained glass windows.





















Although the altar area was walled off during our visit, the crucifix was visible overhead. One visitor commented that it looked like the cross was suspended from a giant, golden jelly fish.






















Food in Barcelona features lots of ham -- and seafood.  Restaurants are crowded with happy, satisfied, well-dressed diners.  Outdoor cafes are also very popular spots for relaxing and people-watching. Nightlife is thriving.  Lots of bars and nightclubs thrive in downtown Barcelona.

Men in kilts:  Across the street from our apartment was Boca Grande - Boca Chica, which had a jam-packed rooftop bar filled with many race fans, including Fraser.  Our quartet had spotted him earlier in the afternoon on the street. He's hard to miss, with long blond locks, kilt and boots.  Fraser was sweet enough to pose for a photo.






















After our rooftop nightcap, my friends and I descended in the elevator with these 3 adorable young ladies who insisted that I had to check out the ladies' room and escorted me there forthwith. The large, brightly lit white tile covered unisex space featured stand up cocktail tables, lots of big mirrors, communal sinks, large stalls and beautiful people.



















Teaser for Wednesday night's Formula-1 race coverage: a group of more than a dozen British gents combined their trip to the race with a bachelor party.  They chose a hilariously novel way to celebrate at the racetrack and after: dressing as matadors, flamenco dancers and senoritas.  Tune in Thursday for the full story!
















On a related note:  On Sunday evening as we were walking home after dinner at Balthazar, we met this group of 5 ladies celebrating the upcoming nuptials of the lady in purple.  The bridesmaids dressed in red outfits matching the bride's purple one, including net skirt, feather boa, headband and feather, combined with black sweaters and tights.






















All good things must come to an end. All too soon, my trip was over. At the airport, waiting for my flight back to JFK, I was recognized and approached by Manuel who lives in Mexico City.  That he would know me from our blog and from the Advanced Style documentary was wonderfully flattering and so much fun.  His sister obliged by taking photos of us with both of our cell phones.  What a sweet ending to a marvelous trip!