Wednesday, April 22, 2015

It Ain't Heavy - It's My Necklace

In which we finally get just a tad snarky

So there we are, on any given day, out together or separately, minding our own business and wearing huge necklaces (so popular that they apparently have a name: statement necklaces), when someone comes along and says "I LOVE your necklace", which is a charming compliment.  Then he or she will wait two or three beats and follow it up with


which is a stealthy way of clawing back the compliment.  As if they'd accidentally given us a hundred dollar bill when they only meant to give us a single.

What if it is heavy?  Does that make it less appealing?  Because, you know, we weren't asking you if you would like to wear it.  When you ask that question, and you force the wearer to defend his or her fashion choice, doesn't that make it a subtle but unmistakeable criticism?  Aren't you really saying "I would never have chosen that"?

What is the correct answer to that question?  How about this?  "Well, I'm guessing my necklace is a bit lighter than your head, and you seem to have no trouble holding that up." Or this? "Yes, but it's only for an hour or so.  My personal assistant brought it here in the limo, and after this event Fabio will take it home for me and put it away."

After the recent Easter Parade when we were on our way to The Modern for our traditional Easter cocktails, a woman carrying two small costumed dogs in the crook of her arm, and pushing a baby carriage loaded with additional small, costumed canines stopped Jean and asked the question. Jean, who was properly brought up, just smiled and nodded.  But what she really wanted to say was: "No. Are(n't) your dogs heavy?"

The question can be applied to more than just necklaces. Not too long ago, we went to an event (more on that in the near future) where Valerie wore this space age minicrini by Chromat.

Some people oohed and aahed and took pictures; some people politely looked away, and one woman asked "Is it comfortable?"  Valerie took the humorous approach, and said "Ask me again in an hour."  What she wanted to say was "Yes, it is. What about your girdle?  Is that comfortable?"  Really, readers, when we see a woman tottering around in three inch stilettos with tiny pointed toes, do you think we say "What gorgeous shoes.  Don't they hurt your feet?"

Another woman asked Valerie "Aren't you supposed to wear that UNDER the dress?"  Actually, although Valerie decided not to bring the battery pack attachment that evening, the minicrini is lined in LED lights, and lights up when the battery pack is on. So no, it's not supposed to be worn under the dress.  What would be the point of that?
Even Madonna wears her brassiere under her suit.

And what business is it of yours anyway?  Didn't your mother tell you 'If you can't say anything nice, don't say anything at all'?

Sunday, April 19, 2015

The Manhattan Vintage Show: Your Source in the Fight Against Normcore

We had the pleasure of dining with Sue Kreitzman the other night (a story for another time), and she said she had only just heard the expression NORMCORE for the first time.  Normcore is a unisex fashion trend characterized by unpretentious, average-looking clothing. Egad!  We're always very flattered when people who stop us in the street admire the way we dress, and as a result of our conversation with Sue, we can finally articulate why we are so addicted to the Manhattan Vintage Show and flea markets in general: this is the best strategy against Normcore for those of us on a budget.

Below, photoessays of vintage clothing and accessories and of fellow vintage lovers in the neverending battle against personality-free clothing.

Starting out with some shoes that fill us with nostalgia for our youth...

First these bicolor platforms from Screaming Mimi's.

And these hilarious round toed polka dotted shoes in unexpected colors from The House of Findings.

And one more shoe-related picture before we move on to other wonderful things. Jean found this whimsical red plastic necklace with little Dutch clogs at Sheila Strong's Fools' Gold ... and had to have it. See how well it goes with the rest of her collection.

Another Man's Treasure always has something that resonates with us.  Here, Mika shows two 80s pieces by Bonnie Boerer.  The left brings back memories of Patrick Kelly; the right reminds of us Yamamoto Kansai.

These bold and unique earrings are from Town Peddlers from New Rochelle.

Barbara Johnson showed a hand knit sweater by Hilary Smith.  What's great about the sweater is that Hilary used a flat yarn for the white ground and a fluffy yarn for the poodles.  Just figuring out how to do the poodles fills us with admiration for Hilary, but that she thought to use a contrasting yarn that makes the poodles look more poodle-y is just... well... she should get some kind of award for that.  (Actually, all the designers here should get some kind of award.  Some of them have.)

Courreges was way ahead of his time in the 60s, and delighted in using common materials in unconventional ways.  At Lorry Polizzi's, we found this Courreges dress with vinyl embellishments.

Regina of Vintage Le Monde had some fabulous jewelry.  The two huge silver cuffs were show stoppers.  Regina said they were worn by a woman who designed them to go with a dress she wore in the 1920s.  We thought they were Robert Lee Morris, but they predate him by almost fifty years.   Don't forget to look at the very modern necklace, bottom right, with the square in the half circle, or at the leather collar with dangling hammered spikes, or hiding toward the back left, the bracelet  circles that look like round books with their pages flung open.  (Double click for a better view.)

Karen McWharter's booth is always a treasure trove of truly unique and interesting jewelry and clothing that doesn't look like anyone else. This pristine handmade straw and cloth bag has such an interesting shape and is perfect for this time of year.

Masaka Ogura of Mingei Japan designs her own fabrics and incorporates them into traditional kimonos and more modern shapes like this terrific top with fans.

We stopped to chat with this nice lady and compared notes about favorite pieces and our mutual love of vintage.

And of course we couldn't not show you some great Issey Miyake from andArchive.   This light and airy cotton really needs to be pinned against a wall for you to get its full impact, but probably the owner wouldn't like us doing that.  This suit dates back to about 1986 or 87, when Issey Miyake did a lot of designs based on Indian material and Indian weaving techniques.  The zigzags you see here are double ikat woven designs, not printed, so a lot of expertise went into the weaving before the material was even sewn.  Wish we could give you a better look at the fabulous ikat bottom that goes with it, too.  Just take our word that we wanna take this home, if only to pin it to our own wall and gape at it.

In the same booth, we saw this amazing vintage Miyake jacket -- on the most beautiful vendor.

The Style Vault from Washington, DC had a great collection of colorful handbags -- just the thing for spring.

This silver Spratling bee jewelry from Treasure Trove was truly striking.

Not everyone could carry off this stylish black and white feathered hat at Stacy LoAlbo's Incogneeto.

And now, some members of the valiant Normcore resistance.

We can never show you enough of our man Dapper Dan, whom we've never seen wear anything that dates later than about 1960 (if that recent).  Dan should be a menswear stylist.

You think he's done a great job?  You don't know the half of it.  Here's Dan's pocket hankie.  That corner square you see in the center peeking out at the top?  With the deep blue tip?  That square was pieced in separately to make sure the blue tip would sit exactly where it was supposed to.   It's exquisite, but it hides in plain sight.

Here's Patti, a color trend consultant, wearing amazing blue glasses, and a fabulous hairstyle.

Certain individuals who obviously do not want to look like everyone else can carry off the vintage look without looking forced. Case in point: This young woman (who actually lives across the street from Jean but whom we never seem to see except at this show) can really wear vintage and capture the aura of the era.

This young woman also wears vintage with style and flair.

Here are Jessie and Hannah.  The editors of this post truly regret that we did not capture the true very purple color of Hannah's vintage felt hat, or its wonderful clam-like folds.

Amanda Dolan of Spark Pretty and her friend always manage to coordinate their outfits to perfection.  They were both wearing knockout Norma Kamali print dresses.

Valerie tried on this terrific black sand-washed denim jacket at Spark Pretty.

Yes, that's our card she's holding.  But don't look at that.  Look at her great glasses and hairstyle!

Two more fellow shoppers...

And another great hair style.

After the show, we stopped into Flute Gramercy on East 20th Street for a cocktail and to compare notes and catch up.

Most of the cocktails feature champagne (but of course!) and are quite tasty. After a long and amusing chat, we decided to leave when the younger crowd (almost everybody is the younger crowd at our age) started taking over.  We knew because the noise level - and the volume of the music - began to creep up.  Till next time ...  think about and heed Sue Kreitzman's warning: "Beige will kill you!"

Wednesday, April 15, 2015

The Eyes Have It!

One of the harbingers of spring is the annual l.a.Eyeworks benefit sale hosted by Alexander Gray Associates with proceeds supporting Art Matters. On this occasion, Valerie was KO'd all week by the Upper Respiratory Thing going around but Jean sallied forth to spend an evening trying on fabulous eyewear, having cocktails and delicious treats and hanging out with friends, all for a good cause. Hey, it's a tough job, but somebody's gotta do it, right? Jean was thrilled to reconnect with Brent Zerger, l.a.Eyeworks' Director of Communications and all-around eyeglass guru. In honor of the event, Jean wore her 1986 l.a.Eyeworks' Gigantor frames. Since they had her circa 1986 prescription lenses, it made for some ophthalmological fun house mirror moments.

Held in Alexander Gray's spacious gallery in the shadow of the High Line, the event always features creative and delicious food. This year was no exception! A functional ferris wheel could be rotated to provide better access to the delicious macaroon cookies on each of the seats on the ride.

Made by Sweet Maresa, the delicate, pastel-colored French macarons were as delicious as they looked. Pictured here are the violet lemon and creamsicle lavender flavored cookies.

Stan Satlin and Debra Rapoport showed up and were greeted by l.a.Eyeworks' co-founder Gai Gherardi.  Debra and Gai were sporting yellow-framed glasses.Check out Gai's fabulous gold oxfords -- and Stan's dapper red-soled shoes. Apologies for the rather fuzzy photo, taken by a rather fuzzy photographer.  Looking through her seriously out-of-date prescription lenses, Jean had no sense of in-focus versus out-of-focus.

This gent tried on a pair of squared off frames. Behind him, you can glimpse the peace sign monocles designed to be used like reading glasses, to check out menus and programs, and then hung around the neck as jewelry when not in use.

Co-designer Margo Willets and Brent indulged Jean with a photo.

Debra posed with two hat-loving gents with the improbable Instagram monikers of Sucklord (left) and Mrseang (middle). If you check out last year's post, you'll see Sucklord wearing the same hot pink framed and lensed pair of glasses, but with a decidedly more restrained outfit and demeanor.

We mentioned at the outset that Jean was wearing a pair of 29-year old l.a.Eyeworks Gigantor glasses that look as contemporary now as then. To prove the point: l.a.Eyeworks has reissued the frames, which is a true testament to their staying power. Jean is wearing her black glasses, whose wide black frames resemble Groucho Marks' eyebrows. They lady next to her is wearing the 2015 Gigantor version - with tortoise shell design rather than flat black.

It just goes to show you that what goes around comes around, and everything old is new again. Ta-ta, kiddies!

Sunday, April 12, 2015

Easter Parade 2015

After what seemed to be the endless winter, the sun came out on Easter Sunday. Just as we arrived at Fifth Avenue via East 50th Street (the location of St. Patrick's Cathedral) to join the parade, we spied Carol Markel and then were joined by Debra Rapoport and Diana Gabriel (who was wearing one of Debra's Viva hats).

Milliners Jasmin Zorlu and Lana Turner arrived from opposite directions and flanked Diana and Debra for another photo op.

Parade-goers run the gamut of ages and styles. This young couple combined vintage with modern clothing (and tattoos) for a decidedly hip vibe.

Richard and Victoria Mackenzie Childs and their grandchildren walked in the parade and obviously enjoyed every minute of it.

Few people carry off vintage with as much style and pazazz as Friederike Paetzold. Her two-toned hat was "killah"!

This family portrait gives you an idea of the breadth of the style spectrum among parade participants. We wondered what color the kids' hair would be when they showed up at school the next morning.

Zero Boy, who joined us for a photo with his friend, obviously put a lot of thought and effort into his look. He was even sporting a tinted monocle.

Ari Seth Cohen and Eric Lee stopped by the parade, wearing two different styles of head gear. Was Ari channeling his inner Gary Cooper?

Davey Mitchell always goes way out for his Easter attire. Sometimes we wonder if he has parade dyslexia, mixing up Easter with Halloween!

These two gents were definitely working an Easter theme into their outfits.

And this fellow went whole hog -- or should we say, whole rabbit? -- for the event.

We're not sure, but it looks like this young woman took multi-colored googly eyes and glued them to a hat.  To great effect!

Doesn't this woman's costume and upswept hair and parasol conjure up the early 20th century?

All three of these paraders are dressed in the old school spirit of the parade, but we found the rabbit cane in particular to be irresistible.

We ran into Xtine, in a white leather jacket and a Comme des Garcons hat to which she'd affixed a fuschia flower.

This clever lady fashioned her own hat entirely out of paper. The color of the hat and dress are both wonderfully delicate.

There was no lack of variety at the parade.  We're not sure, but we think this woman might be wearing a clear plastic container on her head.  The viewer doesn't actually focus on the container, but rather on the wonderful looping wire arrangement decorated with red and black polka dot masking tape.

Check this out! This lady made her hat, her dress, and her partner's hat out of confetti.  Her hat is such a great shade of pink!

Easter is the perfect holiday for men who take their clothes seriously.

It's interesting to see how different men interpret fashion differently, even when wearing the same colors and shades.

Obviously , sports fans interpret style VERY differently and are in a class by themselves.

Plants and flowers are a perenially popular motif.

We always enjoy seeing women in authentic top hats and this was no exception.  She had decorated hers with a dragonfly, and highlighted it with a bright red high necked jacket.

Great hat, great hair, great lipstick -- and a veil!

After the parade ended at three o'clock, we headed to The Modern restaurant as part of our Easter tradition. Although we hadn't spotted her at the parade, we ran into Mary Anna Smith, The Tipsy Topper herself. Lucky for us, she was in the main dining room with friends (all wearing her hats). She was wearing this blue and green number, complete with a butterfly, which was different from the one she'd worn in the parade which resembled a big blue kite flying through the clouds.

We also hadn't spotted Elaine in the crowd or her friends, who were all wearing her hand-painted hats. The theme of her hat this year was the old Pennsylvania Station, whose demolition prompted the city landmark preservation movement in New York City. She is holding one of her hats from another season.

Here is the rear-view of Elaine's beautiful Pennsylvania Station chapeau.

After an absolutely delicious snack and a cocktail, as we were preparing to head homeward, Dan Jones presented each of us with The Modern's holiday gift bag. This is another of our Easter traditions for which we are extremely grateful to the restaurant and its wonderful staff.

And what, you might ask, was in that bag? A robin's egg blue hollow chocolate egg contained a yummy assortment of chocolates and caramels, macaroons and chocolate wafer cookies. The egg itself was also positively delicious.  It was the perfect ending to a perfect day.

Hope you enjoyed seeing the parade through our eyes.

What we're wearing:

Jean is wearing: an Ignatius hat (purchased at the Philadelphia Museum Craft Show last November); Prada jacket; Issey Miyake skirt and honey-comb coat; Trippen boots; Yayoi Kusama tote bag (gift from Valerie); and lots of vintage bakelite and resin and wooden necklaces, bangles and rings.

Valerie is wearing: a 1940s vintage Stanford, Connecticut souvenir hat (with cardboard visor reading STANFORD carefully removed), green plastic earrings, Issey Miyake multicolored nylon coat, vintage green and yellow pieced gauntlets, Pleats Please spring green dress, Charlotte Olympia leafy leather shoes.